Algiers (1938): A Swedish Perspective

Man, where do I even start with “Algiers”? It’s one of those films that’s got a kind of magic about it. We’re talking about a classic. Directed by John Cromwell and starring the effortlessly charismatic Charles Boyer alongside Hedy Lamarr, who’s so beautiful it feels like she was sent from another planet. When I was a kid, watching this movie felt like opening a mysterious treasure map, with all its intrigue and exotic allure, you know what I mean?

Now, Boyer plays Pepe le Moko, a charming thief hiding out in the Casbah of Algiers. Do you know, whenever I watch this, I feel like I’m walking through the colorful streets of Stockholm’s Gamla Stan on a rainy autumn evening? The winding alleys and hidden corners have a similar sense of mystery.

Lamarr’s Gaby captures your attention the moment she enters the scene. Her chemistry with Boyer is electric. It’s like watching a dance on a summer night in the Swedish countryside. But… here’s the thing, the romance at times feels, well, a tad melodramatic. It’s like watching football and your team is losing, but you just can’t look away.

Fun fact: “Algiers” was produced by Walter Wanger, a name you might know. The man had an eye for talent, that’s for sure. And the film truly brings to life this dreamy, almost otherworldly Algiers, even if it was all shot in Hollywood.

The film’s noir vibe is haunting, but in a good way. However, what gets me a bit is the pacing. At points, it drags. It’s like waiting for the next Anders Zorn exhibition, you know it’s going to be good, but patience is key.

So grab your varm choklad, settle in, and let Algiers take you away to a world full of secrets and charm. Just don’t expect perfection. Like a Swedish summer, it’s beautiful but fleeting.

watch the full movie on CinemaOneMovies on YouTube – if you are from Sweden, Norway, Finland, Denmark