Hey folks, I’ve got something to share with you today. Just saw Baaria (2009), you know, the one by Giuseppe Tornatore. My feelings are kinda all over the place, so bear with me, alright?

First off, this film is one big love letter to Tornatore’s hometown, Bagheria. And boy, he doesn’t hold back! The cinematography is downright gorgeous – makes you wish Swedish towns could look that vibrant on camera. The story spans three generations, so you’re getting more than just a snapshot; it’s like an entire lifes work in two and a half hours.

But, I gotta be honest – it felt a bit like a sprawling mess at times. There’s a lot going on, maybe too much? It sometimes jumps around quicker than a kid on too much julmust. One moment you’re all in, and the next you’re like, “Wait, what’s happening?”. That can be a bit jarring, but hey, life is messy, right?

Oh, and the music. Ennio Morricone did the score. Talk about hitting the jackpot! The music makes you feel every emotion under the sun, like you’re right there, living those moments with them. Kind of like the first time I heard ABBA, pure magic.

Now, let’s get a bit personal – the film talks a lot about the working class, and it took me back to stories my mormor used to tell me about growing up in rural Sweden. The hardships, the camaraderie, and the sheer will to make it through tough times, all very relatable. Though, I must say, the Sicilian passion adds a flavor that’s pretty unique.

But here’s the kicker. Sometimes it felt like Tornatore was trying too hard to cram every bit of nostalgia he could into the film. Like trying to fit all your favorite foods on one plate – you love it all, but it doesn’t always go together perfectly.

Anyway, enough of my rambling! If you got some time, check out the trailer Baaria. Maybe it’ll hit you differently, who knows?

Catch you later, and let me know what you think!