Casa de los Babys: A Mixed Bag of Emotions Under the Sun

Well, mates, let’s chat about “Casa de los Babys.” This flick, directed by John Sayles, really threw me for a loop. I jumped in expecting a regular drama and found myself knee-deep in a melting pot of feelings. It’s like that one time I tried surströmming for the first time—not exactly what I thought it would be, but captivating in its own slightly unsettling way!

The film boasts a pretty stellar cast. Lili Taylor and Marcia Gay Harden bring their A-game—like watching seasoned actors play improvisation ping-pong, ya know? And then there’s Daryl Hannah, who still surprises me with her nuanced performance, like finding a kladdkaka with just the right amount of goo.

But—and here’s the thing—I kept wondering what Sayles was up to. He’s well-known for movies that dig under the surface of society. This one’s no different, tackling issues like adoption in Latin America but somehow it feels like sitting on a train platform in Stockholm during rush hour, waiting for a delayed train. You’re engaged, but also slightly impatient, wondering when you’ll finally reach your destination.

There was this moment in the film, though, where it all just clicked. Maybe it was the score that snuck up on me, reminiscent of those early autumn mornings just after Midsommar, when you’re clutching your coffee and feeling nostalgic. It got me pondering—how far will someone go for happiness? A thought as sticky as lösgodis on a summer’s day.

If you’re keen on social commentary with a slice of personal storytelling, maybe this is your film. But if you’re more into the action end of the spectrum, it could feel like an art film marathon without the popcorn. Give it a go and let’s chat about it over a fika—there’s plenty to unpack here. Skål!

Check the trailer below