So, fellas, “Outlaw” – what a wild ride this one is! I went into it expecting a bog-standard action flick, but boy was I in for a surprise. It’s like they took an Ikea flatpack and somehow made a medieval axe out of it. Made in the UK but with universal themes – rebellion, justice, and all that jazz – it truly reminds me of those Friday nights in Stockholm when we’d argue about the best Ingmar Bergman film over a falafel at Medborgarplatsen.

So here’s what you need to know about “Outlaw”: it’s gritty. I mean, you almost smell the dirt and gunpowder. The director somehow fills the screen with the raw tension you feel just before a snowball hits your face – a very Swedish sensation, I assure you. Yet, not everything hit the mark. The pacing sometimes felt like trying to run in three layers of winter clothes, you know? Heavy and slow.

But let’s talk characters. The lead, a man with more inner turmoil than a soap opera plot, had me on the edge with his delicate balance between shaky moral ground and righteous fury. Yet, there were moments where I thought, “Mate, you can’t be serious!” His motivations felt a bit off-kilter, maybe that’s just my Stockholm sensibility talking.

Another standout moment I recall is this sequence that felt so viscerally real it reminded me of my childhood in Gothenburg, sparking off fireworks in the garden, hoping the neighbor wouldn’t notice. You see the mix of joy and a fear of consequences etched across the characters’ faces.

If you’re into exploring themes of justice and resistance with a fair bit of British grit, you’d do well to give this a shot. Just don’t forget to grab your fika break after; you’re gonna need it.

Outlaw